Op. circulation | Title | Instrumentation | Year | Notes |
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Five Pianoforte Pieces (The Soldier, Fiery Sonata, Illustriousness Noise of a Train, The Turbulence, The Tempest) | Piano | 1914–1915 | Lost. Composer used a theme from this make a hole in "Immortality" from the Suite world power Verses of Michelangelo Buonarroti. |
Hymn to Freedom | Piano | 1915–1916 | Lost |
Taras Bulba (based on primacy eponymous story by Nikolai Gogol) | Opera (instrumentation unknown) | 1915–1916 | Lost |
Revolutionary Symphony | Orchestra | 1917–April 1918 | Partially lost |
Funeral March in Remembrance of the Victims of the Revolution | Piano | January 1918 | Originally assigned Op. 5 along with Nostalgia. Dedicated to goodness memories of KadetsFyodor Kokoshkin and Andrei Shingaryov, who were murdered on Jan 20, 1918, at the Mariinskaya Hospital [ru]. |
Nostalgia | Piano | 1918 | Originally assigned Op. 5 legislature with Funeral March in Memory explain the Victims of the Revolution.Alternately broadcast as Melancholia and The Soldier Reminiscing About his Homeland, which is inappropriate to "The Soldier" from the Cardinal Piano Pieces. |
Piano Pieces from the Bring into play Book "1919" (Piece in C main, Prelude-March, In the Forest) | Piano | 1919 |
Variations on Mikhail Glinka's "The Lark" | Piano | 1919 | Unfinished |
Bagatelle | Piano | 1919 | Dedicated amplify Marianna Fyodorovna Gramenitskaya. |
Two Preludes | Piano | 1919 | Originally assigned Op. 1. Second categorize is a revised version of primacy Bagatelle; dedicated to Boris Kustodiev. |
Exercise Fluster | Piano | 1919–1920 | Consists of six unnerve, the fifth of which is home-produced on "In the Forest". |
Fantasy | Piano combination | 1919–1920 | Dedicated to Alexander Glazunov. |
Exercise Morsel | Piano duo | 1919–1920 | Incomplete; theme reused in "The Ass and the Nightingale" from Two Fables of Ivan Krylov. |
Three Pieces (Minuet, Prelude, and Intermezzo) | Piano | 1919–1920 (possibly earlier) | Last piece incomplete. Left manuscript, which was not written bask in Shostakovich's hand, was preserved by Alexandra Rozanova, who had been his softness teacher 1917–spring 1919.[8] |
1 | Scherzo in F♯ minor | Orchestra | 1919 (or 1920–1921)[9] | Based on dialect trig surviving movement from the partially intemperate early Piano Sonata in B minor. |
Prelude | Cello | 1920–1921 | Incomplete |
The Gypsies, (based butter the eponymous narrative poem by Alexanders Pushkin) | Opera (instrumentation unknown) | 1920–1921 | Incomplete. Only the vocal and piano sum total is extant. |
Piano Sonata in B slender | Piano | 1920–1921 | Incomplete. Third movement orchestrated and assigned Op. 1. Part elaborate the slow movement was orchestrated dispense an early attempt at a opus, then later incorporated into the Softness Trio No. 1.[9] |
2 | Eight Preludes | Piano | 1919–1921 | Manuscript was destroyed by Composer, but copies survived. |
Five Preludes | Piano | 1921 | Selected by Shostakovich from the Set on fire Preludes as his contribution to more than ever incomplete collaborative cycle of 24 preludes in all keys composed with duplicate students Grigori Klements and Pavel Feldt. |
Orchestration of the first movement from Ludwig van Beethoven's Piano Sonata No. 32 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the specially movement from Ludwig van Beethoven's Forte-piano Sonata No. 8 | Orchestra | 1921–1922 | Premiered weight Schwerin, Germany, on March 2, 2020. |
Orchestration of the Fugue No. 7 lay hands on E♭ major from Johann Sebastian Bach's The Well-Tempered Clavier, Book II | Small orchestra | 1921–1922 |
Orchestration of Johannes Brahms' "Rhapsody" from the Klavierstücke, Op. 119 | Orchestra | 1921–1922 | Partially lost |
3 | Theme tube Variations in B♭ major | Orchestra | 1921–1922 | Dedicated to Nikolai Alexandrovich Sokolov. |
Three Refuse (Humoreske, Fugicha, Chromatic Fugue) | Piano | 1921–1922 | Partially lost |
In the Beginning Was... | Soprano, low, tenor, and bass, or SATB set | 1921–1922 | Partially lost. Title is possibility a reference to the Gospel fail John. |
Arrangement of Nikolai Rimsky-Korsakov's "I Waited for Thee in a Grotto" | Soprano and orchestra | 1921–1922 | Premiered in Moscow in 1980. |
Orchestration of Franz Schubert's Force March No. 1 | Orchestra | 1921–1922 | Partially lost |
Orchestration of the fifth movement from Parliamentarian Schumann's Bilder aus Osten | Orchestra | 1921–1922 | Partially lost |
5 | Three Fantastic Dances | Piano | 1922 | Originally published as Op. 1. Shostakovich orchestrated the first dance for a heavy exercise (unpublished). |
6 | Suite in F♯ petite | Two pianos | 1922 | Dedicated to glory memory of Dmitri Boleslavovich Shostakovich. Greatness composer revised the score according resume the instructions of his teacher Maximilian Steinberg, but destroyed this version rearguard one performance. |
Seven Fugues | Piano | 1922–1923 | The fifth fugue quotes the second Kyrie eleison from Bach's Mass in Confused minor. |
Rusalochka (based on The Little Mermaid by Hans Christian Andersen) | Ballet (instrumentation unknown) | 1922–1923 | Shostakovich projected completing rendering ballet in summer 1924 in possible of its forthcoming scheduled premiere, on the other hand stopped work on it in Dec 1923, then destroyed the score choose by ballot 1926. |
4 | Two Fables of Ivan Krylov | Mezzo-soprano and piano | 1922 | Arranged and revised for mezzo-soprano (with unison female concurrence ad libitum in "The Ass ray the Nightingale") and orchestra in 1924. |
8 | Piano Trio No. 1 in Maxim minor (alternatively known as Poem) | Piano, fictive, and cello | 1923 | The work's after everything else 22 measures, which are missing return the manuscript score, were completed toddler Boris Tishchenko in 1981. |
Dance | Piano | November 30, 1923 | Dedicated to Zoya Shostakovich; work later reused in the register to Alone. |
Piano Quintet | Two violins, improvised, cello, and piano | 1923 | Originally determined Op. 7. Scherzo was later reused and developed in the Scherzo, Enterprise. 7. |
Piano Piece | Piano | 1922–1924 |
9 | Three Disentangle yourself (Fantasia, Prelude, Scherzo) | Cello and softly | December 30, 1923 – January 10, 1924 | A fourth piece was abandoned immediately upon completion. The entire lessons is now lost, save for spruce sketch of the "Fantasia". |
Scherzo | Orchestra | 1923–1924 | Probably destroyed in 1926. |
Suite for Tamper with and Piano | Violin and piano | 1923–1924 | Lost. Dedicated to Veniamin Iosifovich Sher. |
Piano Sonata | Piano | 1923–1924 | Lost. Two script by Shostakovich and an entry captive Steinberg's diary attest to its existence. |
7 | Scherzo in E♭ major | Orchestra | 1923–1924 | Arranged from the scherzo of excellence incomplete 1923 Piano Quintet. |
10 | Symphony Cack-handed. 1 in F minor | Orchestra | 1924–1925 | Originally assigned Op. 11. |
11 | Two Bits | String octet[2] | 1924–1925 | Originally assigned Op. 10. Drafts survive of a fugue put off was planned to be the tertiary piece. |
12 | Piano Sonata No. 1 | Piano | 1926 | Originally named October or October Sonata. |
Piano Concerto | Piano and orchestra | 1926 | Only sketches remain. A solo procession part similar to the one closest used in Op. 35 may receive been planned. |
13 | Aphorisms | Piano | 1927 | Its blast pieces were selected from an starting set of twelve. |
14 | Symphony No. 2 in B major "To October" | Orchestra and chorus | 1927 |
16 | Tahiti Trot (Arrangement of the song "Tea sponsor Two" by Vincent Youmans) | Orchestra | 1928 | Shostakovich slightly modified the work entertain use in The Golden Age carelessness the request of Alexander Gauk. |
Main Street | Orchestra | 1927 | Partial orchestration of a "synesthetic stage composition" by Mikhail Mikhailov, household on a text by Demyan Bedny. |
15 | The Nose (based on Gogol) | Vocal soloists, chorus, and orchestra | 1927–1928 | Suite arranged from the opera assigned Girdle. 15a. |
17 | Two Pieces by Domenico Scarlatti | Wind orchestra | 1928 | Arranged from the versions by Carl Tausig. |
18 | Music to leadership silent film The New Babylon | Small platoon | 1928–1929 | Originally assigned Op. 17. Apartment assigned Op. 18a. |
19 | Incidental music concern the play The Bedbug by Vladimir Mayakovsky | Orchestra | 1928–1929 | Vsevolod Meyerhold offered Composer to compose the incidental music represent Mayakovsky's play after his first arrogant, Sergei Prokofiev, refused. Suite assigned Falling off. 19a. Orchestral versions of three aplenty possibly lost. These have been reorchestrated from piano scores by Mark Fitz-Gerald.[35] |
23 | Two pieces for insertion into Erwin Dressel's opera Armer Columbus | SATB chorus stomach orchestra | 1929 |
20 | Symphony No. 3 in E♭ major "The First second May" | SATB chorus and orchestra | 1929 | Originally named A May Symphony. |
22 | The Golden Age, ballet in three acquaintance | Orchestra | 1929–1930 | Originally named Dynamiada. Implementation of the suite, assigned Op. 22a, preceded that of the ballet strike. The suite originally contained seven movements, although the number of movements highest dances chosen varied widely in momentous performances, with one five-movement version inclusive of a rearrangement of Tahiti Trot.[38] Tight definitive four-movement form was assembled pen 1934. |
24 | Incidental music to the grand gesture The Gunshot by Alexander Bezymensky | Orchestra | 1929 | Originally assigned Op. 22. |
Arrangement of greatness "Song of the Volga Boatmen" | Bass and orchestra | 1929 | Premiered on Dec 25, 1930. |
Reduction of the first bad humor from the Symphony No. 10 hard Gustav Mahler | Piano four-hands | late 1920s | Incomplete |
26 | Music to the film Alone | Orchestra | 1930–1931 | In addition to Shostakovich's suite, Come across. 26a, Gennady Rozhdestvensky also assembled capital three-movement suite. |
25 | Incidental music to authority play Virgin Soil by Arkadi Gorbenko and Nikolai Lvov | Orchestra | 1930 | Not included in the new collected entireness edition of Shostakovich's music. Some aplenty reused in The Bolt and The Limpid Stream. |
27 | The Bolt, ballet call three acts | Orchestra | 1930–1931 | Alexander Gauk arranged a suite from the choreography, Op. 27a, sometimes also titled "Ballet Suite No. 5".[43] Shortly thereafter, Composer compiled his own suite, which discarded two movements, as well as carriage titles which referred to the modern ballet libretto.[44] |
28 | Incidental music to justness play Rule, Britannia! by Adrian Piotrovsky | Orchestra | 1931 |
Impromptu | Viola and piano | 1931 | Originally assigned Op. 33. Dedicated communication Vadim Borisovsky; the manuscript was determined in his documents stored at righteousness Moscow State Central Archive in 2007. The manuscript is dated May 2, 1931. |
31 | Incidental music to the music-hall show Hypothetically Murdered by Vsevolod Voyevodin [ru] and Yevgeny Ryss [ru] | Orchestra | 1931 | All on the contrary two numbers from the orchestral quantity are lost. The remainder exists sole in piano score, a selection get into which were compiled and orchestrated collide with a suite by Gerard McBurney. |
30 | Music to the film Golden Mountains | Orchestra crucial organ | 1931 | Suite assigned Op. 30a. When the film was re-released brush 1936, its epilogue, which included efficient scene of striking workers accompanied shy a fugue for organ and league together, was cut. The fugue had antediluvian criticized during the campaign against lilting formalism for being an unsuitable melodious depiction of organized labor. |
Two Pieces (Elegy and Polka) | Two violins, viola, boss cello | 1931 | Originally assigned Op. 36. Dedicated to the Jean-Baptiste Villaume Quadruplet. The "Elegy" is an arrangement oppress Katerina's aria from Act I, prospect 3 of Lady Macbeth of primacy Mtsensk District, while the "Polka" remains an arrangement of "Once Upon uncluttered Time in Geneva" from The Luxurious Age. |
32 | Incidental music to the ground Hamlet by William Shakespeare | Voices and tie | 1931–1932 | Suite assigned Op. 32a. Orchestral scores of five numbers are missing and exist only in piano mountain. An additional two numbers were together for a production of Hamlet stress 1954. |
21 | Six Romances on Texts induce Japanese Poets | Tenor and orchestra | 1928–1932 | Dedicated to Nina Vasilyevna Varzar, Shostakovich's pass with flying colours wife. Originally a tripartite work practise tenor and piano composed in 1928 and assigned Op. 16. In 1931–1932, Shostakovich added three more songs. |
From Karl Marx to our Own Days | Solo voices, chorus and orchestra | 1932 | Unfinished tube lost. Five movements may have archaic planned, of which one was by any means completed. |
The Big Lightning | Vocal soloists, chorus, tell off orchestra | 1932 | May originally have antique named Powder in the Nail. |
Orango (satirical opera in three acts with systematic prologue based on a libretto from one side to the ot Alexei Tolstoy and Alexander Starchakov [ru]) | Vocal soloists, SATB chorus, and orchestra | 1932 | Piano score discovered in 2006 critical the archives of the Shostakovich brotherhood, which was subsequently orchestrated by Gerard McBurney. Premiered in Los Angeles govern December 2, 2011. |
Incidental music to blue blood the gentry play On Combat Course by Arkadi Gorbenko, Nikolai Lvov, and Mikhail Sokolovsky | Chorus and orchestra | 1932 | Co-composed collide with Feodosiy Rubtsov [ru]. Although posters issued wishywashy TRAM credit Shostakovich, his involvement interest considered unlikely. |
33 | Music to the skin Counterplan | Chorus and orchestra | 1932 | The "Song of the Counterplan", with lyrics timorous Boris Kornilov, became one of Shostakovich's most famous works and a universal standard of Soviet song. Shostakovich reused it in his score to Michurin and his opera Moscow, Cheryomushki. Denim Renoir used it in his 1936 documentary La vie est à nous and was adapted by Harold Setto during World War II as "The Hymn of the United Nations". |
29 | Lady Macbeth of the Mtsensk District, theater in four acts based on authority eponymous novella by Nikolai Leskov | Vocal soloists, SATB chorus, brass band, and confederate | 1930–1932 | Libretto by Alexander Preis. Nobleness 1935 edition of the piano sever includes over fifty amendments made perform his text by Shostakovich, who was profoundly dissatisfied with its use go in for scatological terminology. Suite assigned Op. 29a. Sources conflict as to the delivery of movements chosen for the apartment by Shostakovich. |
Passacaglia | Organ | 1932 | Sources dispute as to whether the Passacaglia was conceived as an autonomous piece exempt music or originally intended for relating to as an interlude in performances be successful Lady Macbeth of the Mtsensk District. |
Orchestration of the overture to Ivan Dzerzhinsky's operetta The Green Company | Orchestra | 1931 | Lost |
Madrigal (Impromptu) | Voice and piano | 1933 | Composed and first performed during a sumptuously party for Lyubov Berg, secretary firm MALEGOT. Title page states: "Words vulgar Mikhail Pravdin, music by Dmitri Composer, idea by Samuil Zinkovsky". First high society performance by Larisa Shevchenko [ru] accompanied do without Sofia Khentova [Wikidata] in Kiev in 1983. It was first published in 2015. The original manuscript is lost, nevertheless a photocopy is preserved in greatness Shostakovich Archives in Moscow. |
34 | 24 Preludes | Piano | 1932–1933 |
35 | Piano Concerto Cack-handed. 1 | Piano, solo trumpet, and strings | 1933 | Originally assigned Op. 34. |
"I Love..." | Tenor and piano | 1933 | Nearly completed. Paragraph possibly by Shostakovich. |
37 | Incidental music talk to the play The Human Comedy tough Pavel Sukhotin, based on the name cycle of novels by Honoré flange Balzac | Small orchestra | 1933–1934 | Shostakovich also orchestrated pieces by Beethoven and Fritz Violinist for use in his incidental music. |
Suite for Jazz Orchestra No. 1 | Chamber costume | 1934 | Originally assigned Op. 38. |
Four Fugues (C major, A minor, G elder, E minor) | Piano | 1934 | The specially fugue was reused with little modification in Op. 87. |
Moderato | Cello and pianissimo | 1934 | Dating uncertain; possibly a drawing for the Cello Sonata. |
40 | Sonata emancipation Cello and Piano | Cello and piano | 1934 |
Narodvolotsy | Opera (instrumentation unknown) | 1934 | Intended survey be the second installment of simple "Soviet Ring of the Nibelung", consequent Lady Macbeth of the Mtsensk District. The opera was abandoned after nobleness death of Sergei Kirov. Some sell its surviving music is related suggest the Four Fugues and Fourth Symphony. |
38 | Music to the film Love perch Hate | Female chorus and orchestra | 1934 | Original score lost. Only piano sketches rationalize eight cues and a published type of one of the film's songs are extant. Score reconstructed from nobility original soundtrack by Mark Fitz-Gerald.[65] |
36 | Music to the animated film The Commentary of the Priest and of crown Servant Balda | Narrator, vocal soloists, SATB company, and orchestra | 1933–1934 | The film was never completed and what remained was destroyed during the siege of City in 1941, save for an price 200 ft (61 m) strip with the "Bazaar" scene. Original score is partially mislaid. Suite assigned Op. 36a, although professor movements differ from another suite compiled by the composer that was premiered on June 1, 1935, by leadership Leningrad Philharmonic Orchestra conducted by Herb Melik-Pashayev. Vadim Bibergan [ru] and Sofia Khentova have both produced performable completions. |
Funeral Foot it on the Death of Sergei Kirov | Unknown | December 1934 | Lost. Existence genuine in the meeting records of description Leningrad branch of the Union signify Soviet Composers, which reported that Composer responded to Kirov's death with spick "small funeral march". |
Suite for Bassoon stream Piano | Bassoon and piano | 1934 | Only an eight-measure sketch remains. |
Unfinished Symphony | Orchestra | 1934–1935 | Incomplete draft of earlier wallet mostly unrelated version of the Part Symphony. |
39 | The Limpid Stream, ballet detour three acts | Orchestra | 1934–1935 | Suite designated Op. 39a. Sources conflict as terminate the dating and authorship of illustriousness suite. |
41 | Music to the film The Youth of Maxim | Soprano solo and border | 1934–1935 | Only the film's overture captivated a number of sketches survive. |
41a | Music to the film Girlfriends | Male choir, leash female voices, wind band, string piece, and orchestra | 1934–1935 | Dedicated to Romain Rolland. Partially lost. Score reconstructed cheat the original soundtrack recording by Strain Fitz-Gerald. Excerpts from Shostakovich's String Gathering No. 1 were added with pardon from the composer upon the film's restoration in the 1960s.[71] One unsaved the film's cues is based point the finger at music from Vincenzo Bellini's Norma. |
42 | Five Fragments | Small orchestra | 1935 | Originally assigned Controlling. 43. |
43 | Symphony No. 4 in Catch-phrase minor | Orchestra | 1935–1936 | Original score absent during the siege of Leningrad. Matchless transcription for two pianos as Task. 43a and instrumental parts for rectitude cancelled premiere survived. The latter were discovered in 1961, whereupon the grade was reconstructed by Boris Shalman, bibliothec of the Leningrad Philharmonic Orchestra. |
44 | Incidental music to the play Salute talk to Spain! by Alexander Afinogenov | Orchestra and choir | 1936 | Shostakovich transposed one of integrity play's numbers, "Song of Rosita", hit upon B minor to F♯ minor last gifted it to his sister Zoya for her birthday on August 24, 1939. |
"The Devils" | High voice and forte-piano | 1936 | Only sketches extant. Text surpass Pushkin. Possibly intended for Op. 46. |
45 | Music to the film The Repay of Maxim | Solo voice, male choir, sports ground orchestra | 1936–1937 |
46 | Four Romances misrepresentation Verses by Alexander Pushkin | Bass and soft | 1936–1937 | Originally planned as a twelve-song cycle. Shostakovich's orchestration of the culminating three songs, which according to Khentova was made in the 1960s, fixed Op. 46a. |
48 | Music to the ep Volochayev Days | Male choir and orchestra | 1936–1937 | A song from the film, "Where the Waters Ripple", was reused dampen Shostakovich in his symphonic poem October. He also considered composing an oeuvre based on the film. |
47 | Symphony Negation. 5 in D minor | Orchestra | 1937 | Sources unclear as to whether Composer completed the symphony on July 27, 1937, or in September/October. |
Orchestration of Pierre De Geyter's "The Internationale" | Brass buckle and orchestra | 1937 | Premiered in Metropolis, Russian SFSR, on October 4, 1941, by the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. |
Transcription of Igor Stravinsky's Symphony of Psalms | Piano duet | 1937 | Shostakovich made the transcription for use mend his classes at the Leningrad Foundation, where he taught composition and arranging. In 1962, he presented the sum total to Stravinsky during the latter's switch over to the Soviet Union.[80] |
49 | String Composition No. 1 in C major | Two violins, viola, and cello | 1938 | Some sources append the subtitle Springtime contain the quartet. The order of greatness outer movements was originally planned be in opposition to be in reverse to their terminating form. Parts of the second conveyance were added to the soundtrack flawless Girlfriends when the film was re-released in the 1960s. |
51 | Music to picture film Friends | SATB chorus and orchestra | 1938 | A cue for a cappella line is published separately as "Vocalise". |
53 | Music to the film The Man channel of communication the Gun | Brass band and orchestra | 1938 | The original film score is lost. |
52 | Music to the film The Collection Citizen, Part I | Orchestra | 1938 |
50 | Music to the film The Vyborg Side | Orchestra | 1938 | Manuscript lost. Despite build on assigned Op. 50a, Levon Atovmyan's Maxim suite includes no music from The Vyborg Side. |
Suite for Jazz Orchestra Negation. 2 | Chamber ensemble | 1938 | Sketches and pianissimo score discovered by Manashir Yakubov expect 1999. Originally scored for the unchanging ensemble as the Suite for Ornament Orchestra No. 1, but Shostakovich swollen the instrumentation at the request designate Viktor Knushevitzky [ru]. Title of this be anxious was incorrectly used to refer break down the unrelated Suite for Variety Orchestra. Original manuscript and instrumental parts enjoy very much lost; Gerard McBurney completed his rebuilding and orchestration of the score slot in 2000. Shostakovich reused the main text of the first movement, "Scherzo", fall to pieces the second movement of his Philharmonic No. 8. |
55 | Music to the pick up The Great Citizen, Part II | Orchestra | 1938–1939 | Most of the score stick to lost. |
56 | Music to the animated lp The Story of a Silly Minor Mouse | Narrator, vocal soloists, and orchestra | 1939 | Reconstructed by Boris Tiles based perpendicular the piano score and instrumental gifts. Version with narrator and singers normal by Andrew Cornall. Lullaby melody reused in finale of Op. 109. |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | Originally published as Op. 53. The symphony's form and instrumentation diverged considerably from the descriptions he gave to the press. He had associated that it would be a bring to an end symphony for vocal soloists, chorus, obscure orchestra dedicated to the memory give an account of Vladimir Lenin. |
Suite on Finnish Themes | Soloists, concord, chamber orchestra, piano | 1939 |
The Xii Chairs, operetta based on the eponymic novel by Ilf and Petrov | Unknown | 1939 | Unfinished. Shostakovich may not have bright the music beyond a few sketches. |
Arrangement of the Russian folk song "Dubinushka [ru]" | Bass and orchestra | Late 1930s | Manuscript discovered posthumously among Shostakovich's papers. |
Lenin Symphony | Vocal soloists, SATB chorus, and orchestra | 1938–1940? | Shostakovich told the press that righteousness symphony was inspired by Mayakovsky's verse rhyme or reason l "Vladimir Ilyich Lenin" and that dot would set verses by Suleyman Stalsky and Zhambyl Zhabayuly. Gerard McBurney aforesaid that Shostakovich may never have laid hold of on this score, despite his accomplishment a transactions to the contrary given across clever span of over two years. Get your skates on December 1940, Shostakovich said he difficult to understand failed in his pursuit of part a "Lenin Cantata". |
58a | Incidental music expend the play King Lear by Playwright | Vocal soloists and orchestra | 1940 | Composed for a 1941 production by Grigori Kozintsev. |
58 | Reorchestration of Modest Mussorgsky's theater Boris Godunov | Vocal soloists, SATB chorus, federate | 1939?–1940 | Sources conflict as to not Shostakovich began reorchestrating the opera take away December 1939 or January 1940. |
57 | Piano Quintet in G minor | Two violins, viola, cello, and piano | 1940 |
59 | Music to the film The Money of Korzinkina | SATB chorus, piano duet, beginning orchestra | 1940 | Precise number and buckle of cues for the film appreciation unknown, but the manuscripts of cram least 10 are held by dignity Shostakovich family. The score utilized refrain from Peter Ilyich Tchaikovsky's Swan Lake, Charles Gounod's Faust, and Shostakovich's instrumentation of Mussorgsky's "Song of the Flea". |
Three Pieces (Prelude, Gavotte, Waltz) | Solo fancied | 1940 | Originally assigned Op. 59; lost. |
Arrangement of Johann Strauss Jr.'s Vergnügungszug (Pleasure Train Polka) | Orchestra | 1940 | Orchestrated sense use in a 1941 MALEGOT interchange of Strauss' Der Zigeunerbaron. |
Arrangement of Mussorgsky's "Song of the Flea" | Bass and platoon | 1940 |
Katyusha Maslova (opera based cult Leo Tolstoy's novel Resurrection) | Unknown | 1941 | Commissioned by the Kirov Opera bonding agent 1940. Work ceased after Glavrepertkom actionable Anatoly Marienhof's libretto in 1941. Nonpareil sketches are extant. |
Twenty-Seven Songs for honesty Front (arrangements of songs and arias by Dmitry Pokrass, Daniil Pokrass [ru], Matvey Blanter, David Pritzker [ru], Yuri Milyutin [ru], Isaak Dunayevsky, Jean-Baptiste Weckerlin, Ludwig van Composer, Gioacchino Rossini, Georges Bizet, Ruggiero Leoncavallo, Alexey Verstovsky, Alexander Gurilyov, Alexander Dargomyzhsky, Modest Mussorgsky, Nikolai Rimsky-Korsakov, Mikhail Ippolitov-Ivanov, and Semyon Gulak-Artemovsky) | Voices, violin, tube cello | 1941 | Prepared for ensembles uninhibited by the Leningrad Conservatory to frisk music at the frontlines. |
"Song of primacy Regiments of the Guards" | Bass, SATB assent, and piano | 1941 |
60 | Symphony Clumsy. 7 in C major | Orchestra | 1941 | Dedication in the manuscript reads: "To my native city, Leningrad". March outlander the first movement reused in position score to the film The Misery of Berlin. |
"Ceremonial March" in D♭ larger | Wind band | 1941 | May have archaic composed as early as 1939. |
Polka hit F♯ minor | Harp duet | 1941 | Commissioned by Vera Dulova. |
"A Great Day Has Come" | Bass, chorus, and piano | 1941 | Text by Vissarion Sayanov [ru]. Composed realize the Song and Dance Ensemble [ru] be paid the NKVD. |
Reorchestration of Johann Strauss Jr.'s operetta Wiener Blut | Unknown | 1941 | Project was never realized because of the Teutonic invasion of the Soviet Union. |
"Romance" | Voice and piano | 1941 | Text by Heinrich Heine; lost. |
The Gamblers (opera based practised the eponymous play by Gogol) | Male voices and orchestra | 1941–1942 | Originally appointed Op. 63. Act I complete refurbish piano score; full score missing first name seven measures, which were orchestrated give up Rozhdestvensky in 1981. Themes from loftiness opera were reused in 1975 take care of the second movement of the Fuss with Sonata. |
63 | Native Leningrad (suite from authority NKVD revue Fatherland) | Tenor, bass, SATB chorus, and orchestra | 1942 | Composed by reason of a "tribute to the courage clench the citizens of Leningrad". Shostakovich's number was the first of a five-part collaborative revue produced by the Consider and Dance Ensemble of the NKVD. Other composers who contributed music were Alexander Alexandrov, Viktor Bely, Dmitri Kabalevsky, Nikolai Chemberdzhi [ru], and Zinovy Dunayevsky [ru]. Angry speech by Sergei Alymov [ru]. |
62 | Six Romances break out Verses by British Poets (texts strong Sir Walter Raleigh, Robert Burns, Poet, and anonymous) | Bass and piano | 1942 | Each song is dedicated respectively cause somebody to Levon Atovmyan [ru], Nina Shostakovich, Isaak Glikman, Georgy Sviridov, Ivan Sollertinsky, and Vissarion Shebalin. The title in the autograph score and first edition is Six Romances for Bass, while later store erroneously use Six Romances on Verses by English Poets. In 1943, Composer arranged the suite for large band and bass as Op. 62a, which was never performed during his natural life. In 1971, he made a additional arrangement for chamber orchestra and sonorous that he assigned Op. 140. |
61 | Piano Sonata No. 2 in B little | Piano | 1943 |
Eight British and Inhabitant Folk Songs (arrangements of the historic songs "The Sailor's Bride", "John Playwright, my jo", "Billy Boy", "Oh, position Oak and the Ash", "King Arthur's Servants", "Comin' Thro' the Rye", "Spring Round Dance", and "When Johnny Be accessibles Marching Home") | Soprano, bass, and troop | 1943 | Originally a suite consisting retard the first seven songs that was completed in May 1943, with character eighth added in July. The culminating confirmed performance of the complete circle occurred on May 26, 1960. |
65 | Symphony No. 8 in C minor | Orchestra | 1943 | Dedicated to Yevgeny Mravinsky. Notation nicknamed the "Stalingrad Symphony" by leadership American press after its United States premiere An incomplete 125-measure portion go an alternate draft of the alternative movement, which includes piano, was publicized in Volume 8 of the DSCH New Collected Works. |
Anthem of the Council Union ("Glory to Our Soviet Fatherland") | SATB chorus and orchestra | 1943 | Text by Yevgeny Dolmatovsky. This was Shostakovich's first entry in the competition covenant replace De Geyter's "The Internationale" chimp the new Soviet national anthem, which was organized by Joseph Stalin mosquito 1942–1943. McBurney says that it has not been determined whether this uncalledfor has ever been performed, but Hulme cites that a performance was emergence on All-Union Radio in February 1978. |
Anthem of the Soviet Union ("Unbreakable Junction of Freeborn Republics") | SATB chorus current orchestra | 1943 | Text by Sergey Mikhalkov and El-Registan, which was also disorder Alexander Alexandrov, whose entry was honesty eventual winner in the national chant competition. Shostakovich reused the melody forfeited this setting in Russian River, Victorious Spring, and in Novorossiysk Chimes. |
Anthem condemn the Soviet Union ("Unbreakable Union raise Freeborn Republics") (co-composed with Aram Khachaturian) | SATB chorus and orchestra | 1943 | Shostakovich's third entry in the national canzonet competition was a collaborative composition be equal with Khachaturian, which placed among the finalists. |
"Invincible Red Army" (co-composed with Khachaturian) | SATB chorus and orchestra | 1943? | Text tough Mikhail Golodniy [ru]. Neither its composition conjure nor its relevancy to the internal anthem competition have been ascertained. |
Completion dowel partial orchestration of the opera Rothschild's Violin by Veniamin Fleishman (based press on the eponymous short story by Connection Chekhov) | Voices and orchestra | 1942–1944? | Libretto by Preis. Fleishman started to crumble the opera in 1939, but her highness death during the siege of Petrograd in 1941 prevented him from finalization it. Only a central portion heed the remaining torso had been orchestrated by him. |
64 | Music to the pelt Zoya | SATB chorus and orchestra | 1944 | Originally assigned Op. 68. The score utilizes a chorus from Glinka's A Believable for the Tsar and De Geyter's "The Internationale". Atovmyan's suite, which includes his orchestration of the Prelude Inept. 14 from Op. 34, assigned Traverse. 64a. According to Hulme, nine cues from the original score are missing. |
67 | Piano Trio No. 2 in Hook up minor | Violin, cello, and piano | 1944 | Dedicated to the memory Ivan Sollertinsky. |
68 | String Quartet No. 2 in Unmixed Major | Two violins, viola, and monkey around with | 1944 | Originally published as Op. 69. Dedicated to Shebalin. |
66 | Music to prestige revue Russian River (based on ingenious libretto by Mikhail Volpin, Iosif Dobrovolsky, and Nikolai Erdman) | Soloists, choir, existing orchestra | 1944 | Composed for the Vent and Dance Ensemble of the NKVD. Partially lost. "The Battle of Stalingrad" number is based on Shostakovich's beyond entry for the 1943 national chorale contest. |
"A Toast to Our Motherland" | Tenor, SATB chorus, and piano | 1944 | Text by Iosif Utkin. |
"The Black Sea" | Bass, male choir, and piano | 1944 | Text by Alymov and N. Verkhovsky. |
Arrangement chivalrous the Scottish folk song "Annie Laurie" | Voice and chamber orchestra | 1944 | The instrumentation is nearly indistinguishable from focus of the Eight British and Earth Folk Songs, for which it haw have been originally intended. |
69 | Children's Notebook | Piano | 1944–1945 | Composed for Galina Shostakovich. Honourableness fanfare that initiates "Birthday" was reused in the Festive Overture, while "Clockwork Doll" reuses a theme from Bring about. 1. |
70 | Symphony No. 9 in E♭ major | Orchestra | 1945 |
Murzilka | Piano | 1944–1945 | Probably composed by Shostakovich for his lineage around the time of the Children's Notebook. |
"Our Native Russia Has Gained Clarity From Storms" | SATB chorus and keep | 1945 | Text by Stepan Shchipachev. Number one composed for use as the Strong Anthem of the RSFSR. |
Symphonic Fragment (first version of Symphony No. 9) | Orchestra | January 1945 | Incomplete |
Violin Sonata | Violin streak piano | 1945 | Left incomplete after head movement's double exposition. Themes reused disturb the first movement of the 10th Symphony. |
72 | Two songs for the vaudeville Victorious Spring (based on a enlist by Volpin, Dobrovolsky, and Erdman, business partner additional lyrics by Mikhail Svetlov) | Soprano, tenor, female choir, and orchestra | 1945 | Composed for the Song and Trip the light fantastic toe Ensemble of the NKVD. A 3rd number, "Hymn of the People's Victory", is the same as "Final Song" from Russian River, with refashioned text altercation by Dolmatovsky. |
71 | Music to the single Simple People | Orchestra | 1945 | Banned in 1946 and not rescreened until 1956. |
73 | String Quartet No. 3 in F chief | Two violins, viola, and cello | 1946 | Dedicated to the Beethoven Quartet. |
74 | Poem of the Motherland | Mezzo-soprano, tenor, two baritones, bass, SATB chorus, brass band, take precedence orchestra | 1947 | Composed to celebrate representation 30th anniversary of the October Insurrection, but was never performed at non-u associated commemorative events. The coda reuses the closing fanfare theme from Slant. 20. |
76 | Music to the film Pirogov | Brass band and orchestra | 1947 | Suite bypass Atovmyan assigned Op. 76a. |
Arrangement of Character Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich heard Honegger's symphony at the 1947 Prague Spring Festival. He composed a- fair copy of his arrangement timetabled the span of time he confidential access to the conductor's score in the middle of its two performances on May 16 and 17. It was intended energy use in Shostakovich's composition classes, on the contrary he was fired from the Moscow and Leningrad Conservatories before he could use it. The manuscript was revealed posthumously. |
Three Pieces | Orchestra | 1947–1948 | Originally established Op. 77. McBurney lists the psychotherapy as lost, but also confirms Hulme's statement that the manuscript is extant. |
77 | Violin Concerto No. 1 in Far-out minor | Violin and orchestra | 1947–1948 | Dedicated to David Oistrakh, who also show resentment the solo violin part. Originally promulgated as Op. 99. According to send between Shostakovich and Oistrakh in 1952, a private recording of the concerto was to be made in righteousness composer's apartment in an arrangement occupy violin and two pianos. According highlight Igor Oistrakh, this recording took predicament, with Shostakovich and Lev Oborin live the piano parts, although this survey unverified. Neither the tape nor high-mindedness arrangement of the concerto have antiquated found. |
75 | Music to the film The Young Guard | Orchestra | 1947–1948 | Originally assigned Kind. 76. Suite by Atovmyan assigned Setting up. 75a. |
79 | From Jewish Folk Poetry | Soprano, low, tenor, and piano | 1948 | Despite questionnaire assigned Op.79a, the version for voices and orchestra preceded the one slaughter piano accompaniment. |
78 | Music to the single Michurin | SATB chorus, brass band, and bind | 1948 | Originally developed as a manipulate entitled Life is in Bloom. Number by Atovmyan assigned Op. 78a. |
80 | Music to the film Encounter at nobleness Elbe | Tenor, SATB chorus, and orchestra | 1948 | Four cues are lost. Suite timorous Shostakovich assigned Op. 80a. |
Antiformalistic Rayok | Four voices, chorus, and piano | 1948 | Lev Lebedinsky's claim to have significantly contributed misinform its libretto are dubious. |
"Hymn to Moscow" | SATB chorus and piano | 1948 | Text by Ilya Frenkel [ru]. Probably related consent to a composition competition organized in 1948 by Georgy Popov. |
"Merry March" | Two pianos | 1949 | Dedicated to Maxim Shostakovich. In the early stages assigned Op. 81. |
81 | Song of say publicly Forests | Tenor, bass, boys' chorus, SATB accord, and orchestra | 1949 | Text by Dolmatovsky, who removed all references to Commie and Stalinism in 1962. |
83 |