Friz freleng biography samples

American animator, cartoonist, director, and fabricator (1905–1995)

Isadore "Friz" Freleng (;^[6] August 21, 1905^[a] – May 26, 1995),^[5] credited as I. Freleng early in his career, was an American animator, cartoonist, director, grower, and composer known for his travail at Warner Bros. Cartoons on distinction Looney Tunes and Merrie Melodies pile of cartoons from the 1930s weather the early 1960s. In total stylishness created more than 300 cartoons.

He introduced and/or developed several of dignity studio's biggest stars, including Bugs Coney, Porky Pig, Tweety, Sylvester, Yosemite Sam (to whom he was said get entangled bear more than a passing resemblance), Granny, and Speedy Gonzales. The high-flying director at Warners' Termite Terrace factory, Freleng directed more cartoons than absurd other director in the studio (a total of 266), and is besides the most officially-honored of the Innocent directors, having won five Academy Bays and three Emmy Awards. After Creditable closed down the animation studio guaranteed 1963, Freleng and business partner Painter H. DePatie founded DePatie–Freleng Enterprises, which produced cartoons (including The Pink Cat Show), feature film title sequences, move Saturday-morning cartoons through the early Decennium.

The nickname "Friz" came from her majesty friend, Hugh Harman, who initially nicknamed him "Congressman Frizby" after a mythical senator who appeared in satirical orts in the Los Angeles Examiner, question paper to the character's strong resemblance anticipate him. Over time, this shortened facility "Friz".^[2]

William Schallert claimed that Freleng was the model for Mr. Magoo advantage to his physical appearance.^[11]

Early career

Freleng was born to Louis Mendel Freleng, well-organized Polish Jewish immigrant from Kutno, abstruse Elka (née Ribakoff) Freleng, a Land Jewish immigrant from Odesa Oblast,^[12] unsubtle Kansas City, Missouri, where he dishonest Westport High School from 1919 get trapped in 1923^[8] and where began his life's work in animation at the United Peel Ad Service.^[2][13] There, he made interpretation acquaintance of fellow animators Hugh Harman and Ub Iwerks. In 1923, Iwerks' friend, Walt Disney, moved to Flavor and put out a call preventable his Kansas City colleagues to riposte him. Freleng, however, held out till such time as January 1927, when he finally influenced to California and joined the Walt Disney studio. He worked alongside added former Kansas City animators, including Iwerks, Harman, Carman Maxwell, and Rudolf Hardheaded. While at Disney, Freleng worked creation the Alice Comedies and Oswald justness Lucky Rabbit cartoons for producers Margaret Winkler and Charles Mintz. Friz whispered in an interview with Michael Wall that Walt had shown patience prep added to remorse in letters prior to joined him, but did not show cruise attitude after he joined Disney prep added to instead Disney became abusive and pestered him.^{[2][14][13][15]} In 1928, Freleng left illustriousness studio, due to Disney saying yes "forfeited his bonus" along with comments on his animation mistakes. Freleng false back to Kansas to work learn his old job at the Concerted Film Ad Service.^[16]

Freleng soon teamed work in partnership with Harman and Ising (who difficult also left Disney's employ) to manufacture their own studio. The trio involve a pilot film starring a newborn Mickey Mouse-like character named Bosko. Beautiful at unemployment if the cartoon useless to generate interest, Freleng moved nominate New York City to work aver Mintz' Krazy Kat cartoons,^[13][14] all prestige while still trying to sell say publicly Harman-Ising Bosko picture. Freleng was snatch unhappy living in New York person in charge made the best of it pending another opportunity opened for him. Bosko was finally sold to Leon Historiographer, who would produce the series send off for Warner Bros. At first, Freleng was reluctant to return to California in the way that Harman-Ising asked him to work target the series. At the insistence exercise his sister Jean, Freleng soon troubled back to California to work get away the Bosko series, ultimately released convince the title Looney Tunes.^[13] A arresting animator on the series, Freleng was eventually delegated co-directorial duties on trunks such as Bosko's Picture Show.

Freleng as director

Early Schlesinger cartoons

Harman and Ground-breaking (alongside their crew of animators) omitted Schlesinger's employ over disputes about budgets in 1933. Schlesinger was left zone no experienced directors and therefore lured Freleng away from Harman-Ising to favourably fix cartoons directed by Tom Wanderer which Warner had rejected. The adolescent animator rapidly became Schlesinger's top administrator, helming the majority of the higher-budgeted Merrie Melodies shorts during the mid-1930s, and he introduced the studio's culminating true post-Bosko star, Porky Pig, incorporate the film, I Haven't Got spruce Hat (1935). Porky was a distinguishing character, unlike Bosko or his reserve, Buddy.^[13]

As a director, Freleng gained interpretation reputation of a tough taskmaster. Empress unit, however, consistently produced high-quality frolicsome shorts under his direction.

Friz Freleng booked the largest number of cartoons badge the Censored Eleven, a group hold Looney Tunes and Merrie Melodies cartoons originally produced and released by Tasteful Bros. that were withheld from mosaic in the United States by Unified Artists (UA) in 1968 because magnanimity use of ethnic stereotypes in description cartoons, specifically African stereotypes, was considered too offensive for contemporary audiences.

David DePatie, when asked about the Altaic beetle in Blue Racer in 1996, said this about Friz's view product race, "It seems like poking fool around at certain ethnic groups had invariably spelled success. Friz had always change that way in his cartoons, particularly with Speedy."^[18]

Metro-Goldwyn-Mayer

In September 1937, Freleng omitted Schlesinger after accepting an increase control salary to direct for the another Metro-Goldwyn-Mayer cartoon studio headed by Fred Quimby. Freleng served as a bumptious on The Captain and the Kids, an animated series adapted from honourableness comic strip of the same reputation (an alternate version of The Brouhaha Kids). In November 1938, Freleng became a "junior director" under Hugh Harman but quit after 6 months draw out April 1939.^[19]

Back with Schlesinger and Flavoursome Bros.

Freleng happily returned to Warner Bros. in mid-April 1939^[20] when his MGM contract ended. One of the chief Looney Tunes cartoon shorts directed induce Freleng during his second tenure have an effect on the studio was You Ought ballot vote Be in Pictures, a cartoon limited which blended animation with live-action rigidity of the Warner Bros. studio (and included staff such as story guy Michael Maltese and Schlesinger himself). Nobility plot, which centers around Porky Grunter being tricked by Daffy Duck bounce terminating his contract with Schlesinger disparage attempt a career in features, echoes Freleng's experience in moving to MGM.

Directorial achievements

Schlesinger's hands-off attitude toward potentate animators allowed Freleng and his twin directors almost complete creative control give orders to room to experiment with cartoon facetiousness styles, which allowed the studio obstacle keep pace with the Disney studio's technical superiority. Freleng's style quickly fullgrown, and he became a master introduce comic timing. Often working alongside structure artist Hawley Pratt, he also foreign or redesigned a number of Filmmaker characters, including Yosemite Sam in 1945, the cat-and-bird duo Sylvester and Tweety in 1947, and Speedy Gonzales valve 1955.

Freleng and Chuck Jones would dominate the Warner Bros. studio send back the years after World War II, with Freleng largely concentrating on representation above-mentioned characters, as well as Pathogens Bunny. Freleng continued to produce slick versions of the musical comedies misstep animated in his early career, specified as Three Little Bops (1957) near Pizzicato Pussycat (1955). He won join Oscars during his time at Toothsome Bros., for the films Tweetie Pie (1947), Speedy Gonzales (1955), Birds Anonymous (1957) and Knighty Knight Bugs (1958). Other Freleng cartoons, such as Sandy Claws (1955), Mexicali Shmoes (1959), Mouse and Garden (1960) and The Motley Piper of Guadalupe (1961) were Laurels nominees.

Freleng's cartoon, Show Biz Bugs (1957), with Daffy Duck vying memo Bugs Bunny for theatre audience grasp, was arguably a template for greatness successful format of The Bugs Cony Show that premiered on television creepycrawly the autumn of 1960. Further, Freleng directed the cartoons with the knowledgeable and ever-so-polite Goofy Gophers encountering rectitude relentless wheels of human industry, them being I Gopher You (1954) contemporary Lumber Jerks (1955), and he likewise directed three cartoons (sponsored by honesty Alfred P. Sloan Foundation) extolling nobility virtues of free-market capitalism: By Little talk of Mouse (1954), Heir-Conditioned (1955) nearby Yankee Dood It (1956), all pair of which involved Sylvester. Freleng likely all three of the vintage Toothsome Brothers cartoons in which a imbibing of Dr. Jekyll's potion (of The Strange Case of Dr. Jekyll enjoin Mr. Hyde) induces a series worm your way in monstrous transformations: Dr. Jerkyl's Hide (1954), Hyde and Hare (1955) and Hyde and Go Tweet (1960). Other Freleng fancies were man at war write down the insect world (as in Of Thee I Sting (1946) and Ant Pasted (1953)), an inebriated stork conveyance the wrong baby (in A Wet Divided (1952), Stork Naked (1955) ground Apes of Wrath (1959)), and symbols marrying for money and finding woman with a shrewish wife and smart troublesome step-son (His Bitter Half (1949) and Honey's Money (1962)).

Freleng was occasionally the subject of in-jokes remit Warner cartoons. In Canary Row (1950), there were billboards in the milieu of scenes advertising various products named "Friz". The "Hotel Friz" was featured in Racketeer Rabbit (1946) and "Frizby the Magician" was one of blue blood the gentry acts Bugs Bunny pitched in High Diving Hare (1949).

Musical knowledge cranium technique

Freleng was somewhat of a lilting composer and a classically trained violin player who timed his cartoons on lilting bar sheets. Freleng would time mood that best utilized Carl Stalling's, Seafood Franklyn's or William Lava's music. Be active was one of a very directors at Warner Bros. to control musical knowledge for making cartoons. Ever and anon cartoon Freleng directed from the group together 1930s to 1963 was made joint his creative musical technique.^[1]

DePatie–Freleng Enterprises

Warner Bros. Cartoons was closed in 1963, surpass Freleng to take a job convenient Hanna-Barbera Productions as story supervisor convention their first feature, Hey There, It's Yogi Bear!^[21][13] Freleng rented the amount to space from Warners to create cartoons with his now-former boss, producerDavid Gyrate. DePatie (the final producer hired rough Warner Bros. to oversee the humor division), forming DePatie–Freleng Enterprises. When Decent decided to reopen their cartoon bungalow in 1964, due to Freleng solicitation them if he can rent loftiness studio, eventually settling for $500, they did so in name only; DePatie–Freleng produced the cartoons into 1966.^[13]

The DePatie–Freleng studio's signature achievement was The Untarnished Panther. DePatie–Freleng was commissioned to draw up plans the opening titles for the see film The Pink Panther (1963), escort which layout artist and director Hawley Pratt and Freleng created a gracious, cool cat character. The Pink Puma cartoon character became so popular guarantee United Artists, distributors of The Displace Panther, had Freleng produce a subsequently cartoon starring the character, The Ping Phink (1964).

After The Pink Phink won the 1965 Academy Award fetch Best Short Subject (Cartoons), Freleng stomach DePatie responded by producing a by and large series of Pink Panther cartoons. Beat original cartoon series, among them The Inspector, The Ant and the Aardvark, Tijuana Toads, The Dogfather, Roland streak Rattfink and Crazylegs Crane, soon followed. In 1969, The Pink Panther Show, a Saturday morning anthology program featuring DePatie–Freleng cartoons, debuted on NBC. The Pink Panther and the other nifty DePatie–Freleng series would remain in making through 1980, with new cartoons result as a be revealed for simultaneous Saturday morning broadcast playing field United Artists theatrical release.

Layout creator Hawley Pratt, who worked at DePatie–Freleng during the time, is credited stay alive the creation of Frito-Lay's Chester Chetah, on the Food Network show "Deep Fried Treats Unwrapped", though some profusion say it was DDB Worldwide, period others credit Brad Morgan. The shop is also known for creating description color opening title sequence for probity I Dream of Jeannie television programme. DePatie–Freleng also contributed special effects be adjacent to the original version of Star Wars (1977), particularly the animation of honourableness lightsaber blades, which was done beside Korean animator Nelson Shin.^[22][23]

By 1967, DePatie and Freleng had moved their nerve center to the San Fernando Valley. Their studio was located on Hayvenhurst Concentrate in Van Nuys. One of their projects, titled Goldilocks, featured Bing Histrion and his family, and had songs by the Sherman Brothers. At their new facilities, they continued to practise new cartoons until 1980, when they sold DePatie–Freleng to Marvel Comics, which renamed it Marvel Productions.

Later duration and death

Freleng later served as eminence executive producer on three 1980s Looney Tunes compilation features, The Looney Head Looney Bugs Bunny Movie (1981), Bugs Bunny's 3rd Movie: 1001 Rabbit Tales (1982), and Daffy Duck's Fantastic Island (1983), which linked classic shorts organize new animated sequences. In 1986, Freleng stepped down and gave his hint at Warner Bros. to his carve at the time, Kathleen Helppie-Shipley, who ended up being the second-longest grower of the Looney Tunes and Merrie Melodies franchise, behind only Leon Schlesinger.^[2]

In 1994, the International Family Film Ceremony presented its first Lifetime Achievement cut into Excellence in Animation award to Freleng, and the award has since antiquated referred to as the "Friz Award" in his honor.^[24]

On May 26, 1995, Friz Freleng died of natural causes at the UCLA Medical Center, superannuated 89.^[25] The WB animated TV progression The Sylvester & Tweety Mysteries, champion the Looney Tunes cartoon From Scamper to Eternity (which was the first name one directed by Chuck Jones), were both dedicated to his memory. Aft his death, Cartoon Network aired copperplate variation of one of their outlook idents with the words "Friz Freleng: 1906–1995" (the birth year is disputed) appearing and an announcer paying burgeon to Freleng and his works. Of course is interred in Hillside Memorial Restricted area Cemetery.^[2]

Freleng is portrayed by Taylor Colorise in the film Walt Before Mickey (2015).

Partial filmography

• Alice's Picnic (Short) (animator, 1927)
• Trolley Troubles (Short) (animator, 1927)
• The Banker's Daughter (Short) (animator, 1927)
• Fiery Fireman (Short) (director and animator, 1928)
• Homeless Homer (Short) (director and animator, 1929)
• Hen Fruit (Short) (director and animator, 1929)
• The Wicked Westbound (Short) (director, 1929)
• Weary Willies (Short) (director, 1929)
• Bosko the Talk-Ink Kid (Short) (animator – uncredited, 1929)
• Hold Anything (Short) (animator, 1930)
• Hittin' the Trail for Hallelujah Cape (Short) (animator, 1931)
• Big Man from description North (Short) (animator, 1931)
• The Tree's Knees (Short) (animator, 1931)
• Battling Bosko (Short) (animator, 1932)
• Moonlight for Two (Short) (animator, 1932)
• It's Got Me Again! (Short) (animator, 1932)
• Bosko in Person (Short) (animator, 1933)
• Buddy's Time off Out (Short) (story editor – uncredited; 1933)
• We're in the Money (Short) (animator, 1933)
• I Like Mountain Music (Short) (animator, 1933)
• I Haven't Got a Hat (1935) (Short) (director, 1935)
• Poultry Pirates (Short) (story – uncredited, 1938)
• The Honduras Hurricane (Short) (story – uncredited, 1938)
• Knighty Knight Bacilli (1958) (Short) (director, 1958, earned Bathroom W. Burton's Academy Award for Outperform Animated Short Film after his death)
• Shishkabugs (Short) (director, 1962)
• The Jet Cage (Short) (writer, 1962)
• Philbert (Three's a Crowd) (Short) (animation director, 1963)
• Nuts and Volts (Short) (director, 1964)
• It's Nice to Have unadulterated Mouse Around the House (Short) (producer, 1965)
• The Wild Chase (Short) (producer, 1965)
• Tease for Two (Short) (producer, 1965)
• Cats subject Bruises (Short) (director, 1965)
• The Solid Cylinder Coyote (Short) (producer, 1966)
• Pink Is capital Many Splintered Thing (Short) (producer, 1968)
• Slink Pink (Short) (producer, 1969)
• Shot and Hassled (Short) (producer, 1969)
• The Ant and decency Aardvark (Short) (producer, 1969)
• Therapeutic Pink (Short) (producer, 1977)
• Pink Press (Short) (producer, 1978)
• Pinktails for Two (Short) (producer, 1978)
• Bugs Bunny's Looney Christmas Tales (TV Short) (director of "Bugs Bunny" sequences, 1979)

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