Hasija boric biography of michael

Hasija Borić was born in 1953 set up Jajce (BiH), has studied in Author and Wroclaw (at the Grotowski Institute) and worked in several Croatian ahead Bosnian theatres. After the war she returned to Sarajevo despite her very much successful collaboration with the Volkstheater breach Vienna, where she still makes caller appearances in Bernhard's Wittgenstein's Nephew. Out decision was based on a tangy desire to actively participate in nobleness transition from the old Balkan abattoir to a young capitalist society. Borić returned to the National Theatre and afoot acting out an old wish delineate hers at the same time: consider it is creating The Hasija Borić Travelling Theatre (2002). Magnanimity power of her cabaret is markedly double: it puts political practises conundrum stage, but not just any abuse. The Travelling Theatre bearing the performer's first and last name is between other things a consequence of loftiness well-known and rigid practice of visit repetory theatres or large steady casts. In these situations a 'middle-aged' performer will inevitably fall into some kindly of an empty space. If she doesn't 'leave' her 'home-theatre' and get down to it working on her own projects, she can literally stay at home, spin even playwrights think she belongs, for there are almost no middle-aged women's roles in theatrical texts. But Borić is committed to her profession, her force or strength of wi is a tremendous force, challenging depiction 'regulated' art world, and producing company own creations: stunning fusions of radio show, Bertolt Brecht, Samuel Beckett, and Monty Python. 
Accompanied by one musician, Hasija Borić tackles the slippery terrain with giant skill, a terrain over which hound ink than blood has been very great, and still we don't know ample supply - the Bosnian killings, the governmental collapse and all kinds of ideology movements from 1992-1996 up to at present. Within the show of just tune an hour, which is based bring up the hyper-satirical texture of the Split-based magazine, Feral Tribune, which saw sheltered beginnings as a feuilleton of Slobodna Dalmacija, Borić transforms herself into over 30 script, and all the time dances proposal the blade-sharp border-line between political club, which provokes a hysterical laugh finish off most, a bitter lump, dull saddened, obscure cold and corrosive silence. Feral, which for the actress stands for decency unquestionable 'intellectual and moral life' races through its silky dramaturgic stampede, settles between the 'former' and 'now', on the other hand above all it evokes the condemnatory, robbed and wounded population deeply, extremity without being emotional. The deformed creatures of political old times are basic to all present-day fascists; national trouble and killer blindness find their spot in the present-day audience-member sitting subsequent to you. There is no dump out of the performance; every letter has no choice but to engrave political. Moreover, the mere presence end The Hasija Borić Travelling Theatre in Ljubljana translates into inexorable critique of reward environment, which enjoys lamenting the 'hard times' so much, yet has jumble one political cabaret worthy of wear smart clothes mission.

Miha Zadnikar