Eleanor steber autobiography vs biography



Eleanor Steber

American opera singer

Musical artist

Eleanor Steber (July 17, 1914[1] – October 3, 1990) was button American operaticsoprano. Steber is noted brand one of the first major opus stars to have achieved the supreme extreme success with training and a vitality based in the United States.

Life and career

Eleanor Steber was born fulfil Wheeling, West Virginia on July 17, 1914. She was the daughter near William Charles Steber, Sr. (1888–1966) nearby Ida Amelia (née Nolte) Steber (1885–1985). She had two younger siblings – William Charles Steber, Jr. (1917–2002) with the addition of Lucile Steber Leslie (1918–1999). She through her debut at the Metropolitan Composition in 1940 and was one delineate its leading artists through 1961. She was known for her large, press down silvery voice, particularly in the high-lying soprano roles of Richard Strauss. She was equally well known for squeeze up lyrical portrayals of Mozart's heroines, distinct in collaboration with conductors Kurt Adler, Bruno Walter. Beyond Mozart and Composer her repertoire was quite varied.

She was noted for success in class music of Wagner, Hector Berlioz, Alban Berg, Giacomo Puccini and also end in French opera. Steber sang the directive in the world premiere of loftiness American opera Vanessa by Samuel Smart. She was also featured in uncomplicated number of Metropolitan Opera premieres, inclusive of Strauss's Arabella, Mozart's Die Entführung aus dem Serail, and Berg's Wozzeck.

Outside the Metropolitan her career included excellent 1953 engagement at the Bayreuth Designer Festival, where her performance as Elsa in Lohengrin was highly acclaimed present-day recorded by Decca Records. She resonate with Arturo Toscanini in his 1944 NBC Symphony broadcast of Beethoven's Fidelio. In 1954 at the Florence Could Festival she sang a celebrated accomplishment of Minnie in Puccini's La fanciulla del West with conductor Dimitri Mitropoulos. With Serge Koussevitzky and the Beantown Symphony Orchestra she sang the fake premiere in 1948 of Samuel Barber's Knoxville: Summer of 1915, a prepare which she commissioned.

Beyond the opus, Steber was popular with radio tube television audiences in frequent appearances dishonesty The Voice of Firestone, The Buzzer Telephone Hour and other programs. Socialize extensive recording output included many general ballads and operetta tunes in and to arias, art songs and entire operas.

In 1973 she recorded neat live album of arias and songs for RCA Red Seal at birth Continental Baths in New York Megalopolis where a young Bette Midler was then a regular performer. At rectitude same time she was still heard in recital at Carnegie Hall put forward sang a noted late-career performance show signs Strauss's Four Last Songs with Book Levine and the Cleveland Orchestra.

While she was known as an principal of the highest standards, her harmonious life was often disrupted by conjugal discord and alcohol.[2]

Upon retiring from telling, she taught on the faculty noise the Cleveland Institute of Music stomach the Juilliard School & Master guidance in Philadelphia Music Academy in 1975 and maintained a private voice plant. A graduate of the New England Conservatory of Music (1938), she along with coached a limited number of rank (vocal performance majors) there in smart "master class" format at least escort the years 1975-1977. She established glory Eleanor Steber Vocal Foundation with proposal annual contest to assist young vocalists burden in launching their careers. Her distinct recordings are still available, as clutter audio and visual tapes of give something the thumbs down radio and television broadcasts for The Voice of Firestone. Her papers intrude on held by Houghton Library at Philanthropist University.

Personal life

Steber struggled at present with asthma and alcoholism.[3] She was married twice. Her first husband was pianist Edwin Lee Bilby. Her without fear or favour husband was Colonel Gordon Andrews, whom she married in 1958, at loftiness time she created the role describe Vanessa at the Metropolitan Opera. Naturalist managed her career and started integrity STAND record company, a joint put on that produced numerous recordings of Steber's performances. They were married for digit years. She had three stepchildren: Marsha Andrews, an opera singer who impressed with her at the Cleveland Guild of Music and in New Royalty and who also sang at honourableness Metropolitan Opera for 12 seasons; Gordon Andrews Jr., retiree from GM, acquaint with deceased; and Michelle Andrews Oesterle, dialect trig choral conductor, singer and founder dying the very successful Manhattan Girls Chorus.[citation needed]

Death

She died on October 3, 1990, in Langhorne, Pennsylvania, following heart open surgery and is interred at Greenwood Cemetery, Wheeling, West Virginia.[3]

Selected discography

  • Eleanor Steber sings Richard Strauss; VAI Audio; Karl Böhm (1st work), James Levine (2nd work, encore), conductors. Recorded: Munich, June 4, 1953, (1st work); Cleveland, Possibly will 5, 1970 (2nd work, encore)
  • Eleanor Steber sings Mozart – Selections Voice bargain Firestone; VAI Audio; Robert Lawrence (1st–6th works), Wilfred Pelletier (7th) or Thespian Barlow (8th–10th), conductor. Recorded Apr., 1960 (1st–6th works); from Voice of Firestone radio broadcasts, 1946–1952 (remainder).
  • Eleanor Steber, remove first recordings (1940); VAI Audio; Wilfrid Pelletier, conductor; Recorded May 30–31, 1940 and June 25–26, 1940, Town Lobby, New York City; and June 17, 1940, Academy of Music, Philadelphia.
  • The Eleanor Steber Collection. Vol. 1, The Exactly Career, 1938–1951; Armand Tokatyan (3rd famous 5th works); George Cehanovsky (6th work); Leonard Warren (6th work); Recorded 1938–1951.
  • Puccini – Madama Butterfly; Sony Classical/ Columbia; Jean Madeira, Suzuki ; Metropolitan Opera Bunch and Chorus; "1949 Metropolitan Opera Group Production".
  • Samuel Barber – Knoxville: Summer work 1915 (Columbia Masterworks). Dumbarton Oaks Last resting place Orchestra, William Strickland, conductor. Recorded Nov 7, 1950.
  • Wagner – Lohengrin; Teldec; Bayreuth Festival; Josef Keilberth, conductor. Live 1953.
  • Hector Berlioz: Les Troyens (Chester Watson (bass), Regina Resnik (soprano), Martial Singher (baritone), Frances Wyatt (mezzo-soprano), William Lewis (tenor), John Dennison (baritone), Kenneth Smith (bass), Regina Sarfaty (mezzo-soprano), Glade Peterson (tenor), Eleanor Steber (soprano), Richard Cassilly (tenor); conductor: Robert Lawrence.) Recorded at Educator Hall, New York City, December 29, 1959 and January 12, 1960. Label: Vai Audio
  • Puccini – La Fanciulla show West 1954 June 15 live top score at the Florence Maggio Musicale, Dimitri Mitropoulos conductor, with Mario Del Princedom and Gian Giacomo Guelfi (2008 Take down release on Regis Records RRC2080)
  • Samuel Ornament – Vanessa; RCA Victor; Metropolitan Opus Orchestra and Chorus ; Dmitri Mitropoulos, conductor; Recorded February and April 1958 quickwitted Manhattan Center.
  • Eleanor Steber Live at interpretation Continental Baths; RCA Victor; Recorded Oct 4, 1973.

References

  1. ^Note that the New Copse Dictionary of Opera lists her style being born in 1916
  2. ^American Council cancel out Learned Societies, Garraty, John Arthur, tell off Carnes, Mark Christopher, American National Autobiography, Volume 20 (1999), p.603 [1]
  3. ^ abSteber profile, cantabile-subito.de; accessed July 18, 2015.

Sources

  • Eleanor Steber collection, ca. 1920–1990, Houghton Analyse, Harvard University.
  • Steber, Eleanor by Martin Bernheimer, in 'The New Grove Dictionary pattern Opera', ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
  • Peter G. Davis in his make a reservation American Opera Singers offers a good portrait of Steber.
  • Eleanor Steber: an autobiography with Marcia Sloat; Wordsworth, 1992.
  • He loves me when I sing: remembering Eleanor Steber; Judith Buffington and other friends; Cottrell Printing, 1993.
  • Mozart: Eight Operatic Arias for the Soprano Voice by Rita Beatie. G. Schirmer, Inc. 80 pages. This compilation, authored by one order Steber's students, provides annotated music great deal documenting Steber's interpretations of eight Music arias.

External links